It’s not just the well-known circumstances of his life — orphaned at a young age, father of the mystery novel, master of cryptology, maestro of the macabre. Nor am I referring to the head-scratching details of the days leading up to his death: how he was found on the street near a voting poll wearing someone else’s clothes, and during his subsequent hospitalization, he was alleged to babble incoherently about an unidentified person named “Reynolds.”
And I won’t even get into the confounding reports of a nameless figure who, for seven decades, would show up to Poe’s gravesite in the early hours of his birthday with a glass of cognac and three roses.
Tragic and curious, yes, but hardly evidence that the acclaimed horror writer could transcend the limits of space and time. No, my time travel theory concerns the author’s creative output, which you’ll soon see is so flukishly prophetic as to make my outlandish claim seem plausible — nay, probable!
The proof is in the pudding, and the pudding is a loosely linked map of flesh-eating floaters, crunched skull survivors, and primordial particles. OK, here we go…
Exhibit A: “The Narrative of Arthur Gordon Pym of Nantucket”
Published in 1838, Poe’s only completed novel details a mutiny on a whaling ship lost at sea. Out of supplies, the men revert to cannibalism, drawing straws to elect a sacrifice. A boy named Richard Parker draws the shortest straw and is subsequently eaten.
Now here’s where it gets weird(er): In 1884, 46 years after the novel’s publication, four men would be set adrift following the sinking of their yacht. Shipwrecked and without food, they too would go the survival cannibalism route, electing to kill and eat a 17-year-old cabin boy. The boy’s name: Richard Parker.
The extraordinary parallel went unnoticed for nearly a century, until a widely-circulated letter from a descendant of the real Parker outlined the similarities between the novel’s scene and the actual event. The letter was selected for publication in The Sunday Times after journalist Arthur Koestler put out a call for tales of “striking coincidence.” Striking indeed.
Exhibit B: “The Businessman”
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